MAIN TITLES
AMAZON PRIME "SPIDER-NOIR"
EMMY WINNING MAIN TITLE FOR MARVEL'S INNOVATIVE TAKE ON THE SPIDER MAN AS AN AGING, DOWN-ON-HIS-LUCK PRIVATE INVESTIGATOR INSPIRED BY CLASSIC FILM NOIR AND EARLY 20TH CENTURY SURREALISM. BLENDING EXPERIMENTAL ANIMATION, PRACTICAL CINEMATOGRAPHY, AND VFX
APPLE TV'S "SMOKE"
EMMY NOMINATED MAIN TITLE FOR THE DENNIS LEHANE DRAMA ABOUT AN ARSONIST AND THE INVESTIGATORS CLOSER THAN THEY KNOW, WE SHOT SHOW PROPS WITH PRACTICAL FIRE EFFECTS IN MICRO, TIMELAPSE AND REVERSE, SET OVER A HAUNTING TRACK FROM THOM YORKE
SHOWTIME'S YELLOWJACKETS
FOR THE DARK 90'S NOSTALGIA RIDE ABOUT A TEENAGE GIRLS SOCCER TEAM TRAPPED IN THE WILDERNESS AFTER A PLANE CRASH WE COMBINED A MIX OF OF CUSTOM LIVE ACTION FOOTAGE CAPTURED ON OLD DV CAMCORDERS AND ON-SET B-ROLL, RUN THROUGH AND ANALOG GLITCH PROCESS IN A NOD TO 90’S ALTERNATIVE CULTURE INSPIRED BY THE DIY LOOK OF SHOWS SUCH AS 120 MINUTES , THE REAL WORLD , AND THE BLAIR WITCH PROJECT
APPLE TV'S SUGAR
FOR THE NEO-NOIR/SCIENCE FICTION LOS ANGELES DETECTIVE STORY, WE CREATED A VIDEO IN HOMAGE TO HOPPER'S "NIGHTHAWKS", WITH A COMBINATION OF STOCK , 2D AND 3D ANIMATION. REGARDLESS OF INTERNET SCUTTLEBUT , NO AI WAS USED IN CREATION OF THIS TITLE!.
MGM + "HOTEL COCAINE"
FOR THE LATE 70'S MIAMI CRIME DRAMA USED STOCK AND A BESPOKE "BURN EFFECT" TO CREATE THE FEEL OF A 1970'S TIMES SQUARE GRINDHOUSE
AMAZON PRIME' THE GREATEST
FOR THE PRIME SHOW ABOUT THE EARLY LIFE OF MUHAMMAD ALI, SHOWCASED MOTION TYPE MIXED WITH LIVE ACTION SHOOT FOOTAGE OF CAST TO HARKEN BACK TO VINTAGE BOXING POSTERS
EPIX _GODFATHER OF HARLEM SEASON 3
THE SEASON 3 UPDATES TO THE EMMY WINNING MAIN TITLE BASED ON THE WORK OF HARLEM RENEASSAINCE ARTIST ROMARE BEARDEN
HULU'S HELSTROM
ANIMATED OLD FASHIONED HAND DRAWN CELL ANIMATION TO CREATE THE NIGHTMARISH CHILDREN'S DRAWING FOR THE TITLE OF THIS MARVEL HORROR SERIES.